I’m talking Wife Novel out with Long Suffering Husband:
Me: I’m just not sure if that motivation makes sense anymore.
LSH: It does, because of [describes a scene].
Me: No, that scene isn’t in the book anymore.
LSH: OK, but there’s still [describes another scene].
Me: I cut that one too.
LSH: Yeah but [character] still…
Me: I actually combined her with [another character] when I changed everyone’s ages.
LSH (in great distress): Is anything familiar still in this book?!?!
Me: No! Don’t you see? This is tough love editing. We’re burning the whole house down to the ground and rebuilding from the ashes!
LSH: This writing stuff is too stressful for me.
My husband is almost always my first reader.
I’m always somewhat amazed/flattered howย attached he is to my writing, even in the draft stage. Sometimes I think he’s moreย attachedย to it then I am. I will mercilessly cut characters and scenes and completely change a story from the ground up if it makes it better and he sits there with wide eyes, totally off-put by this and says things like, “But it’s always happened the other way!” and I feel like I should be consoling him for the loss of that cut section.
There was a part in Mistress Novel that I thought about changing in a big way that he actually fought me on. He was very impassioned about it and actually shouted, “I have been picturing that scene in my head over and over since you first told me your outline. I love that scene.”
I’m always somewhat mystified when he has this reaction. On one hand, he’s not a writer or a big reader so I always take his advice with a grain of salt. There was one time I gave him a section to read and he said he said it was perfect and to leave it alone. I went upstairs and rewrote it anyway because I didn’t think it worked and then gave him the new version hours later. “Whoa,” he said, “It’s much better.” His credibility took a hit that day.
On the other hand, he’s my biggest fan on a personal level but I think he’s also become my work’s biggest fan. Meaning, he’s almost a fanboy to the point where he loves some of my stuff so much that he’s religious about it and doesn’t want me to change anything like we’re having some kind of George Lucas, stop editing Star Wars kind of thing going on here. But he so often reads my stuff very early into the process, it’s inevitable that things are going to change. I want what I write to be the best it can possibly be and I have no mercy when I edit.
If I’m willing to hack it to bits to rebuild it better, it seems weird that he isn’t. After all, I’m the one that wrote the fool thing in the first place. So much writing advice warns you that you’ll have to kill your darlings, I feel unprepared for what happens when I kill his darlings.
But, at the same time, having a passionate advocate for what you write is invaluable, especially when you’re having one of those writer moments when you need to be talked down off the ledge.
What do you think?

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Hillary DePiano is a playwright, fiction and non-fiction writer who loves writing of all kinds except for writing bios like this.




I think you’re lucky to have a passionate advocate for what you write. Ultimately, you’re the writer and you get to disagree and have the final say, but having somebody who reads your work, give opinions, and really care about it? You’re so lucky! I can’t even get my mother to read my stuff. (“But, I don’t have time to read.”)ย
My mother will eventually read my stuff but it takes some nagging. Sheโs happy to read it, she just hates having to give me her thoughts later. โItโs like homework!โ she protests. ๐
I get protests about how she always hated book reports, but meanwhile it means that nobody’s reading my stuff but me.
Iโve met most of my beta readers on Twitter. You should put out a request with your genre to #writechat and some of the others. There are also several forums for find critique partners. The NaNoWriMo meetings are also great way to meet people who will trade books with you. It takes some work but you can make some great crit buddies for life if you are willing to dig around.